Profile: Bill Traylor (1853-1949)

African-American self-taught artist from Lowndes County, Alabama. Born into slavery, Traylor spent the majority of his life after emancipation as a sharecropper. It was only after 1939, following his move to Montgomery, Alabama that Traylor began to draw. At the age of 85, he took up a pencil and a scrap of cardboard to document his recollections and observations. From 1939 to 1942, while working on the sidewalks of Montgomery, Traylor produced nearly 1,500 pieces of art.
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Profile: Mark Bradford (1961-)

Born in Los Angeles in 1961, Mark Bradford earned a BFA in 1995 and an MFA in 1997 from the California Institute of the Arts, Valencia. From a young age, Bradford worked in his mother’s salon and referred to himself as a “beauty operator,” continuing to do so even as he earned recognition in the visual arts. Bradford’s early work often incorporated the tools of his trade, including singed permanent-wave endpapers, cellophane hair color, and human hair. In collage paintings like Daddy, Daddy, Daddy (2001), Bradford overlaid the translucent endpapers parallel to one another, their burned edges forming an imperfect, all-over grid. The corporeal mediums and delicate colors create a sense of intimacy and even nostalgia. However, this large-scale work’s burnt materials and compulsive, labor-intensive process could appear threatening, as reminders of a culturally mandated beauty regime. Though the composition is abstract, the materials evoke elements of Bradford’s personal narrative as well as the social and political significance of hair styling—especially hair straightening—in the black community. Continue reading Profile: Mark Bradford (1961-)

Profile: Radcliffe Bailey

Radcliffe Bailey is a contemporary African American artist known for his mixed-media practice that delves into his black heritage and childhood in the South. Employing materials that include paint, traditional African sculpture, tintype photographs of his family, clay, and piano keys, the artist conveys the powerful sentiment of a living memory. “I believe that by making things that are very personal they become universal,” he explained. “I am first and foremost an artist, a person of this world, and an artist of African descent who grew up in the South and has chosen to continue to live and work in the South. My art is about history and the mystery of history.” Born in 1968 in Bridgeton, NJ, he grew up in Atlanta where he frequent the High Museum of Art with his mother who introduced her son to the works of James Van Der Zee and Jacob Lawrence. Bailey received his BFA from the Atlanta College of Art in 1991 and has gone on to have several solo exhibitions including “Memory as Medicine,” which opened in 2011 at the High Museum of Art. Today, his works are held in the collections of the Metropolitan Museum of Art in New York, the Museum of Fine Arts in Houston, the Art Institute of Chicago, and the Smithsonian Museum of American Art in Washington, D.C., among others. He continues to live and work in Atlanta, GA. Continue reading Profile: Radcliffe Bailey